Módulo Maestría Cine Alternativo

EXPERIMENTAL CINEMA

The Master of Alternative Cinema is offering three places in its Experimental Film module, composed of 3 workshops. As in other modules integrated in the Master of Alternative Cinema, the Experimental Film module is a space of freedom, which encourages the creation of an explorative art, away from the official models commonly accepted, an act of courage and independence, which it reveals a vocation of contemporaneity.

MODULE´S LANGUAGE
The professors will teach their classes in English, together with an interpreter who will translate them into Spanish. In this way, students who only understand one of the two languages ​​can participate.

Contact: alternativoeictv@gmail.com

COST
2 500 euros the complete module (3 workshops). There´s also the option of apply only to one (or two) of the workshops, at the cost of 1000 euros each one.

THE COST OF REGISTRATION INCLUDES

– Accommodation and feeding in the EICTV during the module.

– Access to the Internet, the Library and the Media Library.

– Transport linked to the teaching activity.

– The student will be able to participate in all the open activities that are programmed in the EICTV and cultural programs in Havana during their stay.

– Diploma and Certificate issued by the EICTV.

 

 

Del 30 de abril al 8 de junio | 2018

TALLER NO DISPONIBLE

Profesores:

Richard Kerr (English) , Mike Hoolboom (English) , Daïchi Saïto (English)

Alumnos: 3

Requisitos:
  1. Updated CV.
  2. Letter of motivation.
  3. A hard disk of 1 TB, camera equipment, sound and editing that allows you to take the course practices. Those who have a Bolex, should also bring it.
Audiencia:

University graduates, audiovisual professionals or artists of any age who wish to develop a project.

Plan de estudios:
  1. The Vernacular Auteur: Montage and t/ Screen Event.

April 30th –May 11th, 2018

Professor: Richard Kerr.

The “look, make, learn, teach” style is a concept in studio education that requires one to be self-motivated, independent, critically constructive, and curious in their about contemporary cinematic processes. The question of cinematic authorship will be stressed, articulating innovative and experimental approaches. Our objective of studio-based learning necessitates the integration of personal research with the group’s collective experience leading to open exchanges with fellow practitioners. The class will involve critiques relating to your presentations, ancillary screenings, and discussions. The primary focus and objective of the studio class is the consideration of process, methods, materials, and technology. The studio class investigates the evolving forms of cinema as impacted by digital technology and how it has affected the language of cinema, or perhaps, created its own grammar and aesthetics.

As for the Screen Event, it consists in the liberation of the work of art of any historical or academic genre. The Screen Event is not necessarily an experimental film, it can be a sketch, a visual concept, a loop projection, a visual component in an installation, and also an experimental single-channel movie.

  1. The Two Sides of the Image.

14th-25 thMay 2018

Professor: Mike Hoolboom

The heart of the workshop will be about working in stereo, working on ‘both sides’ of the image. That every portrait is also a self portrait, for instance. That’s why there is a yoga component in the class: it’s very helpful to have an embodied expression of these two sides. That we will feel the two sides of our own bodies, and from those sensations, those newly awakened memories, we will work with the archives. To work with our whole body, to see with our whole body, to hear with our whole body. This is the hope. And to work  separately,  together. This workshop will look at the question of the portrait. How can I make a picture of a face? Of all the people that live in a face? Using a series of in-class exercises, assignments, screenings, critiques and movie makings, we will make an approach to the subject, to the question of subjectivity. We will entertain questions of power and distance (the first questions of ethics: how close? how far?). A special selection of archival shorts has been made especially for this workshop. How to make these faraway pictures feel close, close enough to find a subject, to find ourselves even?

  1. Process as Form.

May 28th – June 8th 2018

Professor: DaïchiSaïto

This workshop is designed to investigate various ways in which the notions of process are embodied in cinematic works. Through a series of lectures, screenings, discussions and hands-on exercises, the workshop will examine fundamental frameworks that shape our understanding of the interweaving relationship between process and form in cinema. Students will gain awareness of how process becomes instrumental in determining the aesthetics and structure of a cinematic work while considering related topics such as the roles and functions of parameters, techniques of intuition, and intentionality and chance. At the core of the course is an individual creative project that each student will work on. This course, above all, is about making and thinking about the act of making. Students will learn to develop their own processual approaches and integrate them into the shapes of their finished work, which should serve as the culminating synthesis of their artistic explorations. The workshop also offers hands-on opportunity to work in 16mm and film processing in the darkroom.

Certificados:

Diploma and academic certificate issued by the EICTV

Precio: 2500 Euros